TwistedBrush information

TwistedBrush is filled with all the tools that a digital artist can dream of... Loads of brushes plus a powerfull
brush creator, layers with blending modes, mask, dynamic palettes, photo manipulation and many more.

http://www.pixarra.com/

Tuesday, June 14, 2011

WIP "works in progress" forum section added


A Works in Progress section as been added to the forums. Paintings that you are working on and need some help with, this is a great place to post them. You can just post a few progess paintings to show how you work too.
The WIP section is only open to members of the fourm and is not shown in the public gallery. We all at times need some help whatever skill level you are at. TB artists are a very friendly and helpful bunch of artists.
If you are looking at increasing your artistic skills in areas you feel weak in,try the section out. I have already used it and my original painting is now a stronger more visual interesting painting.
The above picture is the original painting. The one in the side bar is the reworked painting...

Tuesday, June 7, 2011

June's Competition "Still Life"

First, a Big Conrats to Suzette, Brainrust and ezmystic for being the winners of May's competition "Future" Check out the winning works and all others submitted.
May's theme "Future"


June's competition has started with some great entries already.
June's theme "Still Life"


TwistedBrush Studio Pro version 18.04 is "30" percent off the regular price of $99 USA dollars for the month of June.
Be sure to grab youself a copy,then paint,have fun and join the competition...
Here is the link to the gallery page with the discount coupon at the top.
http://pixarra.invisionzone.com/gallery/

Friday, June 3, 2011

Robyn's (bobbity) TB Artist Interview


Your paintings have a unique style accompanied with stories.They are enjoyed by the whole TB community.
What inspires you to paint this way?

Hi Dave! I guess I am just a story teller at heart and love to express it in pictures, (now that I can on TB), and maybe I just love to talk as well! My pics are all in story book style you may notice, but one day I will be advancing to copying photos of real people as well. When I retire there will be time and energy for that.

This is how my story book art "evolves". (narrative art is how one TBer describes it and he knows about these things. He also had another fancy name for it but I can't remember what it was as it has been wiped out by the giant bug). Everything I do is completely out of my imagination unless I state otherwise. When I say "No Ref Used" it means that it is all imaginary and I didn't copy anything.

I start moving the mouse and forming the shape of a face, and this is always in practice mode as I never ever have anything in mind when I start to draw. (I tried that way several times and it was hopeless and I couldn't draw anything, couldn't even make a start. A mental block I think)! By the way, I hardly ever sketch the picture first. I just use wide bands of colour to form parts and use the wet finger blender to alter shapes if necessary. It does not work out so well for me if I make a sketch. Sometimes general types of "rules' are not suited to various artists.

I then start the features and putting an expression through the eyes, mouth and shape of the face. As I see what is emerging it starts triggering memories of happenings in my life or in other people's lives. I start thinking more about those happenings or situations and this comes out more and more as I draw. When I have
finished the person with all the lighting, shaping, shadows etc, I then have to try to put an appropriate background. (sometimes that is very hard for me). By this time all my thoughts are tumbling about in my mind and I can't help but let it spill out onto digital "paper".

When I look at my art without the story I feel that it doesn't really tell anyone anything, so I will probably continue on this narrative vein as it is the easiest and most exciting thing for me to do right now.

It is amazing the memories that emerge as I go through this process. Things that I had forgotten about or so I thought. I am sure many others have been through this experience as they draw, as I don't think anyone is completely unique.

How did your interest in art develop and when did you start using TwistedBrush?

When I was very little I not only started drawing faces, but I also started observing faces and expression. Every where I went I would look at all the faces around me. I would sit in a car and watch them all walking past on the street, noting what was showing on their face and wondering why. A bus was good for that as I could study everyone as they came on to pay the driver, and it kept them still for a little while. (I was never so rude to look at them when they were able to see me doing it). I come from a family with 9 children and believe me, there were plenty of expressions going on there! It was very good for me to observe them all. As I grew older I was able to get these expressions onto paper. (don't worry, plenty of expression came from me too. A pity they were wasted, especially the moody ones)!

It's funny but only a talent for drawing faces came down to me. My mother was the same, only faces, and we could also draw the body if we could ever be bothered. (mostly not). This was also passed down to my daughter, but her children have a much wider range of talent in art as they inherited more from the other side of their family.
My children and grandchildren could always do better than myself using paints or even just sketching a scene as I am hopeless at both. You should see me trying to draw a tree or an animal, or using paints! (I am talking about imaginary scenes etc, not copying as we love to create our own). I do know though that I will be able to learn to paint as I saw some Bob Ross videos a while back, and I did so much better when I attempted another painted scene a few days later.

When I was in intermediate school (age 11/12) there was a picture of the Queen on the wall, 3/4 profile, and it was the commonly used photo of her that was on calenders, chocolate boxes, magazines, stamps etc, so we saw it everywhere. I copied it twice onto my exercise book and from that point on I could draw her face off by heart, ending up with exercise books covered with her face, and they were all exactly the same. I used to draw more of her just to please the other kids and to prove that I could actually do it. What that showed me was that I could draw a true portrait if I wanted to, and I keep this in mind for my desire to draw portraits in the future.

Funnily enough there was a competition to draw that exact face at that time in the class room and I could not be coaxed into submitting mine, and I have just realised as I write this that I was completely non competitive even way back then!

At high school the art classes were not much and I always felt let down by them. When I was 15, when I had left school and I was working on my sister's farm, my father wanted me to do a commercial art course and I said yes after much coaxing, simply to please him. He had to pay for the whole course in acdvance, a "whopping" 50.00 pounds. ($100.00) So there I was out on the farm swimming in messy charcoal, drawing spheres and pyramids and cubes. It was so boring for me and there was stress happening and I gave it up after 6 months. Now I do wish I had kept on but it was not what I wanted to do at that time. I felt so sorry to let Dad down and felt so guilty about the money he wasted.

When I was 18 I started nursing and art then took 2nd place for years, and even when I had children, and I never advanced in art in any way.

A relative introduced me to windows paint in approx' 2005 or perhaps later and I was having fun dabbling in this, for me, new type of art, but that program is restrictive (no blenders there)! ~ and there was no one to share the art with, and no advancement beyond a 'toon level...

UNTIL I JOINED TB! (in 2006) I have all the first attempts in TB and the ones I posted in the gallery. LOL ~ What a change has taken place over the years and it took so long to get these changes in place as I seem to change in a gradual way. The artists on TB at that time were very kind and loving to comment on my art even though it was not very good at all, and this encouraged me to keep tryng, so I am grateful to them. I will never forget the kindnesses shown to me.

Tell us what you enjoy about using Twistedbrush and interacting with the TB community.

The wonderful thing about joining TB was that now I had free rein with glorious colour and all the wonderful tools and brushes at my disposal! (compare with windows paint) I had mainly always sketched in b/w with the occasional attempt with coloured pencils etc so I was now wallowing with great delight in things I LOVED! Plus we could share our art with like minded people! What a bonus, and I thank you Ken from the bottom of my heart for such a great site and a great bunch of people and the best art program. There is only this art site as far as I am concerned. Nothing else will do! I don't go anywhere else to put a picture together. There is no need for me to do that. I also only share my work on this art site, but I did show some in an ordinary forum that allows pictures, and that was not satisfying at all.

It is so nice to talk to people of like mind. We all have this great thing in common and we are all so different in our
personalities and our art styles and our art posts. When I first joined I was not good at digital art but I couldn't wait to get into the gallery so I desperately put a scene together, so simple that I called it "simplicity", and hey presto I was soon talking to other artists. I then drew my first face and submitted that and people were so kind to me. LOL it was not good at all! It was the communication that was so great.

All artists can teach others and many times this is without a word spoken. Just by viewing we can pick up points and this is how I advanced. One artist used to use extra subtle colours in his faces and I noted this and started experimenting with extra colours. I had never really noticed colour before as I used to do b/w sketches. So he taught me, unknowingly. I used to do outlines and I soon realised, and was told by a loving friend, that faces don't have outlines! LOL Even artists who were not experienced taught me by their example. It seems there is always something to learn when viewing all the art posted no matter who posts it.I love to see something good in all the work posted as I feel that there is good in all. I love to tell the artist what I think, and I'm sorry if I ever tread on anyone's toes by wording things in a way that can be misunderstood. I don't mean to do that or to upset anyone, but it can happen with all our differences.

I also love the comments left under my art and they are like precious jewels to me and so are the ones who comment!

I find that people don't in general point out "real faults" in our art, and even when asked for critique it doesn't seem to happen too much. That may be a good thing and it is the complete opposite to "Wet canvas" where critique is the norm'. (by real faults I mean such things as facial features out of alignment, not talking about slight variations in the features, a bowl with the rounded part on each side way out of alignment, that sort of thing). Why didn't anyone tell me that the features in many of my faces were crooked! ...haha... if we are too scared to say it in public, maybe in private? Well, maybe it is not so important as we generally find these things out for ourselves over time I think.

Who are some of your favorite artists past or present (painting, sculpture, writers, music)and in what ways do they continue to inspire you?

This is a hard question for me David. I have seen so many in the art world that I have loved and most are not famous people. They are simply people on the 'Net showing their work for sale. I can't even remember the names! But they inspire me to have a go at various types of art, and I do have a go, but I always revert to what comes naturally. It is their various styles that grab me.

There is one portrait artist, who captured the very essence of the NZ Maori people, who I have always admired and loved his work so much. His name is Goldie.

http://www.arikiart....rick_goldie.htm

I think that if he can capture these people on canvas as real people, then I can also do it. In the meantime he encourages me to look deep.

In the scupture world Ron Mueck is so realistic and it is really worth seeing his sculptures. I have a folder of them, sent to me by email. If anyone wants them just let me know. He even has a woman after childbirth in the folder. Check out the newborn in the link!

http://www.christchu...ch-art-gallery/
If he can do that in sculpture work surely I can do it in art? There is one in TB who already does great sculpted looks in his portraits because of the way he forms the shapes and contours.

My inspiration for poems comes from happenings and then from within. eg. My neighbours son was careless with his bike and it was stolem. suddenly I was writing a poem for them! That has happened with lots of happenings in the family and out, and I never know what incident would move me enough to write something.

Where music is concerned all happy music inspires me to be positive and happy. I have far too many faves to name and love music from most types. I do love the music composed by Sir Andrew Lloyd Webber, with lyrics by Charles Hart and Richard Stilgoe in Phantom of the Opera. Wherever Sir Andrew Lloyd Webber is involved I usually love. It makes me look deeper into life.

What advice would you give to a new artist who just picked up Twistedbrush for the first time.

I know you can't wait to get going but don't expect to be able to master everything at once.Use a practice sheet to try everything out for a while and experiment with the versatility of the brushes by increasing and decreasing the width, opacity and density. It is very interesting to see what happens. Sometimes a brush can surprise you as to what you can do with it.

If you decide to post your work in the gallery, which I sincerely hope you will do, try not to compare yourself with others. I know that's easier said than done, but do try. You are your own self, at your own level. Learn from others by watching what they do.

Ask questions to get any help you need with your art. The artists in TB are very good at helping you. The forum and under your art piece is the place to ask as many will see your needs giving greater possibilities of an answer that suits you. You can also PM (personal message) individuals if you wish, but we as individuals don't know everything.

Remain an individual. Don't try to be something you are not. You are unique, your art will follow in your unique style. It is great to be able to pick out who drew something before reading who did. (the masters of old all had their unique style).

Robyn,for the last question please tell us whatever you like about other life adventures, hobbies and interest.

My interests in life are family first in importance,followed very closely by art. Just about everything else has gone west because of that eventful day when someone told me about digital art, and I gained a PC all of my own which I use to the hilt for all sorts of things.

I love gardening but I have to make myself do that now.
The games on the PC are great and I love certain ones on King and Worldwinner. I am trying to keep those down!
I adore the freedom of driving and always will.

Even though I was a nurse I turned to alternative treatments when my children were very young, and I did that because of health problems that the Dr could not fix for good. (I adored my nursing days though as I was looking after people).

I am in the midst of building my website for alternatives and it is still not complete as there is so much typing to do and I use 2 fingers for that. It takes an age. I'm afraid I get distracted by TB. I research a lot on the Net. It is so handy. Remember the days of going to the library to try and find something you needed to know? Thank goodness I don't have to do that anymore.

I have only been outside the country once in 1963 for 20 months, and that was to Australia, which is just across "the ditch". (I am from NZ) This was after I completed my nurse training. We went as a group of 4 and ended up as 2 each in different hospitals. It was wonderful seeing the differences between the people and the countries, but coming home to our green hills was great.

In Australia we had our first experience of not being able to understand what some were talking about, seeing Greek and Italian restaurants everywhere, having people in your face over something they have seen you do or say, not being able to stay outside in the heat for more than 10 minutes. being eaten alive by mossies and not even feeling it while it was happening all over your legs whilst sitting in the recreation hut playing cards, and then having to go to work the next day with both legs covered with pink Calomine lotion, having giant grass hoppers sitting on your bedroom wall and being warned not to stare at them or they would take it as a challenge and jump at your face, having to flush the loo before using to see if there were any frogs under the rim inside the bowl, (and there were plenty in the dry weather), hearing the silence of the night and becoming aware that the frogs weren't croaking anymore, and why? Because the snakes were out there eating them all up!

Apart from that we enjoyed our stay very much...
It has left me with a love for the Australian outback.

I am actually a home body at heart.

Thanks for Listening.
Robyn or Rob, whichever you prefer.

Link to Robyn's (bobbity) personal gallery
Robyn's Personal Gallery

Wednesday, June 1, 2011

Slide Show program for your TB Artwork




I was looking around for at some slideshow programs and came across Microsoft PhotoStory 3. It is free and a very much straight forward program to leam. There are newer ones out there but MPS3 is simple to use and sometimes simplicity wins over features. I put this video together in just a couple minutes of using MPS3, leaving pretty much everything at the default settings. You do have mores choices of transitions, where to place the image, music, or narration etc... Link for downloading.
Microsoft Photo Story 3
Link to Youtube for larger size and better quality
Digman's Art

Tuesday, May 31, 2011

Constrain to Break Free


Sometimes we all feel hemmed in by our artistic skill or even our own personally bend. I know I do at times. I found that constraining oneself to a few colors or brushes does the opposite of what you might think. By constraining, I break free.
If you draw lines well, use a sloppy brush and brush in form, If you brush in form, use a line brush to create form.
If you love lots of color which I do, take 5 colors in the grayscale range and use them to create form and light. It does not matter what you draw , shapes, forms, anything will do.




TwistedBrush with it's arsenal of 5000 brushes also gives us the ability to choose just a few so we can contrain and then break free.

Saturday, May 28, 2011

Shutterbuggy Rita's Tooth Tutorial



Rita has made a video with audio tutorial demonstrating the use of a number of brushes plus showing us her favorites. Techniques on how to use the brushes and the excellent use of layers is also shown. Thanks Rita for making this great tutorial and helping your fellow TB artists.

Shutterbuggy Rita's Tutorial at the TwistedBrush forums.
avi How Tooth was Painted
The above video tutorial is shared by permission of Shutterbuggy Rita, a member of the Pixarra Community.

Thursday, May 26, 2011

Lamar's People I Know Series



What inspires you to paint this series?

For some reason this is an uncomfortable question. I do not really know. The creative environment I now live in promotes it. TwistedBrush allows it. I enjoy color and patterns and shapes and expressions. It is a joyful thing to move color around...and not get paint all over you. The images start with one idea and many times end with another. Spontaneity gets soaked in obsession. Then the excitement of walking the line between "discovering something new" and "ruining what you have" becomes an issue. I think these images are similar in some ways to a crossword puzzle. TwistedBrush is the best tool I have ever used for filling in some of the blanks.

Note: The paintings by TB artists run on the blog side bar for 3 or 4 days and then the next artist has a painting run in the sidebar. Below are links to the original paintings.


Wednesday, May 25, 2011

Printing on Canvas or Art paper

Fine Art America prints your paintings on Canvas or Art paper. I have not used this website before but it looks promising. There are a number of companies that print on canvas now even Walgreens Drug Store and Walmart.
Fine Art America is good site to look at if you have never thought about getting some of your work printed. Lightfast archival inks which are used in this kind of printing are normally rated at between 100 years to 200 years. Another name for this kind of printing is Giclee printing.
You can also sell your work through the site.

The picture is how my lastest painting would look on stretched canvas...



Saturday, May 21, 2011

Pat Lee's Painting "Voodoo Child"



What inspired you to paint this work?


Voodoo Child came about as the result of a Twistedbrushes competition.It was done in a style I use quite regularly when I am doodling on my digital sketch pad to get ideas for paintings. I really enjoy doing these scribbles and sometimes they turn out as the finished product as this one did. I was hesitated to post and exhibit this style for sometime as in my opinion I though that people would not appreciate the loose scribbled style but I have found this not to be the case . In fact this sketch won the competition.

With Voodoo child I think the rough scribble style actually captured the Hendricks character. I was just scribbling on the computer and noticed that the sketch resembled Jimi so I then used a number of references to hone it into the end result.


Note: The paintings by TB artists run on the blog side bar for 3 or 4 days and then the next artist has a painting run in the sidebar. Below is a link to the original painting.

Friday, May 20, 2011

Tutorial on using CamStudio for video recordings

I made a video tutorial on using CamStudio, a free screen capture program, for producing video tutorials with audio. This is a good program to start with if you new to making video tutorials. There are commerical screen capture programs that have more features plus built in editors for adding music, transitions etc..
I personally use CamStudio and Magix video editor when I want edit and add more to the tutorial.
The latest tutorial is:
Setting up and Using Camstudio for TwistedBrush
The tutorial is best viewed at 720HD and then full screened.

YouTube channel is up and running
My YouTube channel

Thursday, May 19, 2011

Sena's Video Tutorial (Tips for Painting Tree Bark)


Sena, one of TB's experienced artist has posted an excellent tutorial on
(Tips for painting tree bark in lean on me).
More TB artist are making video tutorials with audio. This is great as it helps everyone enjoy their time painting in TwistedBrush plus learn new ways of creating their own works.

Sena's tutorial at TwistedBrush forums

Tuesday, May 17, 2011

Video Tutorial on installing Video Codecs for TB


I hope this quickly put together tutorial video will help on installing Xvid or DivX Mpeg4 codecs so you can record Time-lapse videos using TwistedBrush. The video is a rush job but needed by some members of the TB community,so it is unedited and a little rough in parts. Toward the end the sounds gets a litte bit out of sync but not bad. I will edit later and repost.

http://www.xvid.org/
http://www.divx.com/


For the besting viewing choose to watch the video at 720,then "full screen" the video.
I choose a higher bitrate (1500) so the HD video quality would be better even after YouTube gets done with it...

Friday, May 13, 2011

TwistedBrush Version 18.03 Released




Blogger had some problems with users logging in so I'm late posting this update.
Version 18.03 has a number retooled tools or expanded improvements on existing features. These will help in using the already great set of brushes, mask, layers , the scratch layer really got a big boost in usability. Read all the improvements using the link below
http://pixarra.invisionzone.com/forum/4-company-news/
Here are a few preview videos that Ken put together too.
http://pixarra.invisionzone.com/forum/36-version-18-feature-preview/
The new version is well worth the small cost of the upgrade, check your e-mails for the upgrade discount coupon.
New to TwistedBrush? go here to get a version 18.03 trial version
Pixarra TwistedBrush

Wednesday, May 11, 2011

Gallery Paintings Posted

Edit: This post will have edits as new artist paintings are posted. You can look at the other full size paintings that were posted by clicking on the link to their painting posted in the TwistedBrush Gallery
Gallery link to Brindamour's painting "A Ride in the Park"
Gallery link to Tarah's painting " After the Sunday Mass"

Monday, May 9, 2011

Tip of the Day

Studies for Fun and Profit
Doing small studies is relaxing as the pressure is off to make your painting look good.
Take a brush you are use to using in TwistedBrush and get an object, photo or bribe someone by buying them a burger to sit for few minutes while you paint that nose...
Now it does not matter that I put Mick Jagger style lips on the man, I'm just searching out form. The eyes have no eyelashes, no big deal, that will come later.
Small studies will help you be more relaxed and have greater confience when you paint in TB...

Saturday, May 7, 2011

Interview with Ken Carlino, developer of TwistedBrush






Can you tell us a little bit about yourself. ( background, education, hobbies, art training, etc)

Hi David, sure I can try. My professional background is most centered in software engineering and I have been involved in software since high school when I purchased my first computer, a Tandy TRS-80 model I, instead of a car. With that I taught myself programming in assembler language and wrote a game, a space invaders clone. However prior to that I had always had an interest in art and that became stronger when I lived in Minnesota for 2 years in 6th and 7th grades. There is something about nature that inspires art. While my involvement in art would remain with me through out my years it was typically second to my interest in software development. I did study computer science in school to get a bachelors degree and then entered the field of software engineering working in different domains over the last 25 years. These domains included, point of sale equipment, industrial labeling, internet server and browser development right near the start of the explosion of the internet and mobile computing (smart phones, etc). Additionally I started a small business called Kamyan Software and developed game, screeensaver, graphic and utility software for Windows. Titles included the game Pendulous, utilities Hogs and Mr.Mem, screensavers ScreenPlay and graphics software The Graphics Factory. I will save the parts related to Pixarra and TwistedBrush for the other questions in this interview. My art experience has been very informal with periods of time in my life of intense focus as a hobby that softly eases while the duties of life take over.

You are an artist yourself, what spark gave you the desire to create TwistedBrush for the digital artist?

Because of my interest in software development and art it seems to be a natural to want to create digitally. I had exposure and owned some of the early digital art software packages including Deluxe Paint and Fauve Matisse and numerous other now extinct packages. As is common for software developers there is often the desire to create a piece of software different or better then one already out there.

What year did you first release TwistedBrush and as the developer tell us your vision for Twistedbrush in the coming years.

The very first release of TwistedBrush was in July of 2003. However at that time the name was Pixarra Sketchbook. It wasn't until a year later that the name was changed to TwistedBrush. At the start TwistedBrush was developed just as a proof of concept and for myself only for pastel simulation. At that time I was working a lot with soft pastels but was becoming tired of the dust and difficulty of working with real soft pastels, additionally I wasn't happy with the pastel simulation of other software products that existed at the time and thought I could do better. After a short while I found that I had built a brush engine that was much more flexible and also very unique in execution than anything that existed in the digital paint field so I decided to build brushes to show off this flexibility and build it into a product for others to use.

Looking at the path from the first release to today at version 17.28 we can see a continued growth in features, usability and quality. That will be the continue path of TwistedBrush. In upcoming release you will see previous features getting retooled and a new life. Such as the scratch layer and masking tools improvements coming up in version 18. Many of these features are powerful and unique but some of them remained hidden or too difficult to use.

TwistedBrush has so many great features you as developer have the artist's heart in mind. What keeps that spirit burning in you for the artist?

That is a difficult question but in almost all cases the greatest spurts of innovation in TwistedBrush have been born by necessity, either my own or from requests and suggestions from the TwistedBrush user base. This is a critical point for TwistedBrush. There isn't a team of managers or developers trying to think of the next best feature, it is truly driven from the user base. And while not all requests and ideas get implemented they are all important to feed into the general theme of what TwistedBrush is.

Twistedbrush is designed for the beginning artist and seasoned professional. That is a tough, how do you balance the needs of both?

This takes both daily diligence and willingness to make changes if something isn't working. The diligence to keep improving things and to look at new features so that they don't interfere with the basic idea that existed from the beginning. That being you can start up TwistedBrush and begin painting at once and close TwistedBrush and never have to worry about saving your work.


The powerful brush effects panel is for creating new brushes, What ways do you see the artist taking full advantage of it?

This is a tricky question. The brush effects panel is there and is very complex with the hundreds of different effects and envelopes that exist. Every brush in TwistedBrush is driven by the brush effects system that is exposed by the brush effects panel. I had never really intended the brush effects panel to be used by the general user of TwistedBrush but only a very few brave users. However, many more artists than I ever expected have dived in the brush effects panel and somehow have discovered some amazing brush patterns. Notice the choice of words here, "discovered". Building brushes with the brush effects panel can be a very deliberate effort with intended actions giving intended results, However because of the complexity involved and minimal guidance given I refer to the new brush creations as discoveries. Like magic combination of brush effects that have never been tried before yielding some thing surprising. These discoveries have lead to whole categories of new brushes such as the fractal brushes and structural brushes. Even in the brushes I create there is at times an element of discovery. So to answer your original question, if the artist is brave, drive in, find an existing brush that is close to what is desired and start tweaking the brush effects to see what happens.

If I never heard of TwistedBrush, what would you want me to know the most about your paint program.

First that it is designed for the digital artist with an priority on the digital painter. If you have used other digital art software before you may be at a disadvantage in some ways because TwistedBrush can at times take a different approach than the standard seen in other programs.



The TB community is very active, can you tell us what you enjoy about relating to them both as a developer and artist.

As a developer it is the critical path to the future direction of TwistedBrush from the suggestions and feedback of the user base. As an artist/development when I view the gallery posts created by artists with TwistedBrush it is hard not to feel just a bit connected to each piece knowing it was created with the software I created. As a person it is reward on a level that can not be describe well when I read either in the forum or via email or private message that the forum and or TwistedBrush has had a important benefit for a user who may be struggling with things in life. It is a reward that I never expected to hear yet remains at the top in terms of importance.

How can TB users help you make TwistedBrush a even more powerful and friendly painting program?

Keep the suggestions coming, learn the software by playing with it, watching videos and sharing with others. And as I always say, have fun!

TwistedBrush Art Competitions

The competition for the month of May has started. The theme is Future...
"Portray future scenes some manner in your entry"


EBSQ (Self Representing Artist) is hosting a TwistedBrush competition for the
month May also.
A free copy of TwistedBrush pro is the first place prize.
"You do have to be a paying member to enter the competition but not to
view the artwork submitted


Time to get your TwistedBrush brushes all drippy with paint for doing some great art
this month

Wednesday, May 4, 2011

Digital Art Sites

I added today digital art sites on the right tool bar.

"TwistedBrush Gallery" of course my favorite site.

"ConceptArt" is a great place to see all styles of digital art.

"ImagineFX" is a online digital art magazine. The workshops can be downloaded in a PDF file.
They are free. They are really helpful in increasing your skill at digital painting.

"Idrawgirls" has great instruction videos (some free ) not only on painting female anatomy but also male anatomy. He has environmental painting instruction too and others... Female nuditiy is shown.

Added Youtube digital painting tutorials

You can now watch digital painting tutorials on the right toolbar without leaving the blog. The video size is small but seeable. I selected a TwistedBrush series done by Sarandib22 at youtube.com but these videos will be changed from time to time.

There are tutorials on the right tool bar from TwistedBrush's gallery and fourm but some are not from youtube.

I also added general digital painting videos.

As more TwistedBrush video tutorials become available from our current community I will add them, so get going boys and girls on making some good instruction videos on using TB...

Tuesday, May 3, 2011

Tip of the Day

Click the Layers box underneath the color palette to bring up the floating layers panel. Now you have more control over your layers plus access to all the mix-layers modes.

Shift "m" will bring up the Edit Artset panel. Now you can save any new brushes that you have made and create your own artsets.

Conversations of a different kind

The world is an interesting place. One thing I have found out in life is that people are like a still pond. There is a whole living world beneath the surface of our faces. As we pass each other during the day our faces reveal very little about us but start a conversation with someone and no matter who they are the world under the surface is revealed.

This applies to us TwistedBrush artists as well so in the coming months I will have interviews with various artists, tips, tutorials and news from the TB community.